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Arguably it began, as these things do, at least two years ago The New York Times began chronicling young women on the streets of Brooklyn layering clothes in creative ways that shielded or swaddled their bodies back in 2015. But it is only now reaching critical mass, thanks to a convergence of social, political and cultural factors as reflected in clothing. And as far as those issues go: Women, fashion has you covered. In every sense of that word. Vodianova and Edward Enninful at Valentino. Marcy Swingle for The New York Times Consider it this way: In 2014, Rihanna accepted the Fashion Icon Award from the Council of Fashion Designers of America in a sheer rhinestone-spangled scrim of a dress by Adam Selman; last November, she accepted the Shoe of the Year award at the Footwear News Achievement Awards in a long black Vetements X Juicy Couture velvet skirt, a long-sleeved shirt draped at the waist and long gloves, with almost no skin showing at all. In 2015, Beyonce channeled Venus on the half shell in sheer Givenchy at the Met Gala, with only bits of strategically placed floral embroidery to keep her from arrest; this year, the Met Gala celebrates a designer Rei Kawakubo whose last show encased the female body in oversize armless carapaces that swallowed the Betty Boop and Botero silhouettes whole. We live in an age of reality TV and transparency, where everything is out there, said Lucie Greene, worldwide director of the innovation group at J. Walter Thompson. Technology has made us comfortable with sharing everything, from late-night parties to relationship status; with tweeting thoughts in the middle of the night (if you are President Trump) or snaps of yourself in your lingerie (if you are Kim Kardashian); with the idea of dating on television for all to see. Ms.
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